Author: Graham Hillard
-
How Cracker Barrel’s logo ordeal explains American politics
Facebook Twitter WhatsApp SMS Email Print Copy article link Save Facebook Twitter WhatsApp SMS Email Print Copy article link Save I could fill a whole article with stories. The time a manager locked the front door at a sprint lest a tour bus swamp us a minute before closing. The time a young black co-worker…
-
‘The Rainmaker’ explores what it takes to make John Grisham bad
Facebook Twitter WhatsApp SMS Email Print Copy article link Save Facebook Twitter WhatsApp SMS Email Print Copy article link Save John Grisham’s The Rainmaker started life as a novel (1995), became a film by Francis Ford Coppola (1997), and is now a television series on USA and Peacock. Somewhere, creative teams are readying a rock…
-
Highland prequel
Facebook Twitter WhatsApp SMS Email Print Copy article link Save Facebook Twitter WhatsApp SMS Email Print Copy article link Save I became a TV critic in 1998, at heart if not in practice. The occasion was the world premiere of Merlin, a two-part NBC miniseries starring Sam Neill and Isabella Rossellini. The catalyst was a…
-
Misery loves comedy: Review of ‘Oh, Hi’
Facebook Twitter WhatsApp SMS Email Print Copy article link Save Facebook Twitter WhatsApp SMS Email Print Copy article link Save Brace yourselves, I’m going to “kink shame.” Though it might feel good in the moment, tying your commitment-phobic boyfriend to the bed is not appropriate sexual behavior. Such is the lesson of Oh, Hi!, an…
-
Apple’s golf show Stick drowns us in therapy culture
Facebook Twitter WhatsApp SMS Email Print Copy article link Save Facebook Twitter WhatsApp SMS Email Print Copy article link Save If Apple TV+’s new series Stick were any more affirming of left-coded mental-health assumptions, we’d have to watch it on the American Psychiatric Association’s TV channel. Stick is for therapy bros, for trauma-mongers, for chicks…
-
A new Mamet film at last
Facebook Twitter WhatsApp SMS Email Print Copy article link Save Facebook Twitter WhatsApp SMS Email Print Copy article link Save Between 2009 and the beginning of last week, dramatist and author David Mamet released 16 new plays and books, some of them exceptional. During the same span, filmmaker David Mamet directed either one or zero…
-
Robot dud: Review of The Electric State on Netflix
Yes, I watched it after 13 hours on the interstate. And yes, the kids were making a racket in the next room. But the new Netflix movie by brothers Anthony and Joe Russo, of Avengers: Endgame fame, would have been a disaster in even the most tranquil of circumstances. Screen it in a one-man space…
-
Zero stars for Zero Day
A good political thriller is more precious than jewels, the Good Book says. Or it should, anyway, given that bad ones, like the poor, will always be with us. Who today would sit willingly through 2006’s The Sentinel, in which a there-for-the-paycheck Michael Douglas conducts a steamless affair with first lady Kim Basinger? Or Charlie…
-
The Gorge is empty
Like a lovers’ quarrel, Apple TV+’s Valentine’s Day release, The Gorge, is likely to split audiences into two mutually uncomprehending camps. For some, a hugely entertaining first hour will prove worth the price of admission, never mind the film’s outright disaster of a second half. Others, not without justice, will skip the climax and denouement altogether, so obviously…
-
Prime-al fear
Must every screen endeavor be an eight-episode limited series? The question has become a cliché, but let the record nevertheless show that Apple‘s newest production would have been a perfectly forgettable Tuesday afternoon matinée not so long ago. Or, better still, a CBS special for the home-on-Saturday-night crowd. Instead, Prime Target limps along for the…




